TheSony E 18-135mm f/ OSS Lens is a lightweight and versatile zoom lens designed for APS-C-format E-mount mirrorless cameras. With a zoom range equivalent to 27-202.5mm, this lens covers a wide range of focal lengths, making it an ideal choice for travel photography and day-to-day shooting.
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Lookingat the latest (v5.2) lens roadmap, the 85mm f/1.2 is a top-shelf prime for its full-frame models and perhaps a critical addition for any portrait shooters, however the 26mm f/2.8 is a Totake advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm* and filter diameter of 52mm, offering exceptional imaging performance when paired with compact APS-C mirrorless camera along with high-megapixel, full-frame mirrorless cameras in APS-C Its a great fit for both full-frame bodies as well as Sony’s range of APS-C format mirrorless cameras. Specifications. Mount: Sony E Sony product code: SEL50F18F Full frame: Yes Autofocus: Yes For most serious photographers, a fast 50mm is a must-have lens whether we shoot on full-frame or APS-C format cameras. It’s the ideal focal SonyE Macro Lenses for APS-C cameras. For Sony APS-C cameras, there is to my knowledge only one macro lens dedicated to these cameras, the Sony 30mm f/3.5 Macro. If you want more choice of macro lenses at Sony, you will have to consider the Sony FE lenses for full frame cameras such as the Sony 50mm f/2.8 Macro or the very
Theretend to be a misconception about FF lenses on aps-c cameras. In general, a FF lens on a aps-c body doesn't perform better than the same focal length aps-c lens on an aps-c body. A FF lens isn't build for an aps-c camera so a part of the light will never reach the sensor. The image circle of the full frame lens is wider than the aps-c
Thislens is very compact and much smaller than the full frame Sony 12-24mm lenses, but is APS-C specific, but does give a wider field of view than what the 12-24mm lenses would give on the crop body camera system. The lens is a metal construction, but the lens hood is plastic. For the available wide angles this is the most APSis discontinued, but the APS-C name is still frequently used for a cropped sensor. Almost every manufacturer designs cameras with slightly different sensor sizes. Canon has a 1.6x crop factor, which means its cropped sensors are 1.6 times smaller than the full-frame sensor (i.e., 22.5×15 mm).

Thisaccounts for the crop factor and shows what lens you will want on an APS-C sensor to achieve the same field of view as a full-frame lens on a full-frame sensor. In the examples, Joris provides he shows how a 22mm camera on a 1.6x crop APS-C camera will get you about a 35mm equivalent focal length. So when you switch between

Thecrop factor is always calculated by dividing the full format size by the size of the APS sensor. Let’s take an example. Suppose your APS-C image sensor is 25.1 x 15.7mm. If you divide 36mm by 25.1mm (36/25.1), you get 1.43. That’s the crop factor. If you put a 70-mm lens on a digital SLR camera that has an APS-C image sensor and
Sigma70-200 2.8 SSM (APS-C) Sony 35mm 1.8 SAM (APS-C) Sony 50 1.8 SAM (APS-C) Tokina 11-16 2.8 (APS-C) Samyang 8 mm (APS-C) The Sigma 70-200 is a full-frame lens. The APS-C lenses are automatically being cropped in the camera, so you don't notice the difference. I turn off that feature because it crops more than necessary.
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    • aps c lens on full frame sony