PS – if you’re interested in the other Z lenses in Nikon’s line-up check out our in-depth reviews: Nikon Z 24-70mm f2.8 S review / Nikon Z 24-70mm f4 S review / Nikon Z 35mm f1.8 S review / Nikon Z 50mm f1.8 S review / Nikon Z 85mm f1.8 S review.. Facts from the catalog
The Nikon Z 24-70mm f/2.8 S reaches up to 2.93% distortion, also pincushion at 70mm. Meanwhile, the Nikon Z 24-120mm f/4 S has 5.01% barrel distortion at its highest, which is at 24mm. Finally, the Nikon Z 24-200mm f/4-6.3 leads the pack (and not in a good way) with 5.82% barrel distortion at 24mm.
The Nikon Z 50mm f1.8 S is a standard prime lens for Nikon’s full-frame Z-series mirrorless cameras. A popular focal length for street photography and general-purpose use, it features an f1.8 focal ratio and joins the Z 24-70mm f4 S and the Z 35mm f1.8 S as the first Z-series lenses on the market.
Just about the only thing missing would be a focus distance indicator, something that no other mirrorless 24-70mm f/2.8’s have except the Nikon Z-mount 24-70mm f/2.8 S, with its controversial all-electronic display window, or of course, the L-mount Panasonic 24-70mm f/2.8, which actually has physical focus markings. (Although, honestly, we
The performance of the Nikon Z 28mm f/2.8 and the Nikon Z 24-70mm f/4 S is surprisingly similar at a given aperture and portion of the frame. The only meaningful difference I see is a slight sharpness advantage to the 24-70mm f/4 S in the midframe, thanks to its lower level of field curvature.
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At 24mm and f/4, the Z 24-70mm f/2.8 S creates less corner shading than the Z 24-70mm f/4 S. In-depth comparisons. For a more detailed look at the image quality from the Nikkor Z 24-70mm f/2.8 S, we will compare it with the Nikkor Z 24-70mm f/4 S and the Sony FE 24-70mm f/2.8 GM.
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Compared to the other f/2.8 standard zoom for Z-series mirrorless cameras, the Z 24-70mm f/2.8 S, this new lens is 30% lighter, with the 24-70mm S weighing in at 805g. Build quality is good, but not outstanding, for what is after all only an enthusiast-level lens.
I did some research and I stumbled upon Ken Rockwell's 35-70 review, in which he states: This 35-70mm f/2.8 AF-D was Nikon's flagship professional midrange zoom of the 1990s, and has pretty much the same optical performance as the newest 24-70mm f/2.8 AFS, with a lot less size, weight and cost.
The Z 24-70mm F2.8 S sits above the Z 24-70mm F4 in Nikon's new mirrorless lineup, and offers a native mirrorless alternative to the company's AF-S Nikkor 24-70mm F2.8 for its DSLRs. Promising to be smaller, lighter, and sharper than its forebears, the new lens has been keenly awaited by professional and enthusiast Nikon photographers.
Less than half the price of Nikon’s top-flight Z 24-70mm f/2.8 lens, this one is much more compact and lightweight. As well as having a retractable design for compact stowage, the glass elements towards the front of the lens naturally have a smaller diameter, the trade-off being that the f/4 aperture rating transmits less light and doesn’t allow for such a tight depth of field. And while it’s slimmer and shorter than the 24-70mm f/2.8 lens, it’s a little wider and longer than the f/4 lens. I tested the Nikkor Z 28-75mm f/2.8 on the Nikon Z9, and compared with your average f/2.8 zoom lens, it looks a bit on the skinny-side on the double-gripped camera. But that’s a good thing, it means that it’s nicely-sized .
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  • nikon z 24 70mm f2 8 s review